Interviews

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Boston’s Floor Lords Crew Celebrates 34 Years

[Via RedBull BC One] By DJ Lean Rock on Jun. 24, 2015 It’s been quite a blessing growing up as a part of Floor Lords, a legacy which began 34 years ago. One of the longest-standing & active breaking crews in the world (Only Zulu Kings, TBB, Rock Steady Crew and Dynamic Rockers have been around longer), Floor Lords has played a major role in developing the Boston Hip Hop community for more than three decades. The story begins in 1981 when Mass Break Team and a few members of New York Puppeteers joined forces. Mass Break Team ended up changing my father, Leanski’s, life when they introduced him to street hitting (hitting is a term for dancing on the street for money). My dad couldn’t believe they were actually making money on the street just from breaking and popping. Around this same time, several members from my dad’s original crew, NY Puppeteers, lost interest in dancing. So my dad started to hang out with Mass Break Team and started doing street shows with them in downtown Boston. Since my dad and a few others started to come around more often, Kid Cisco and Mad came up with the idea of starting a new crew called the Floor Lords. The original members of the crew were Kid Cisco, Mad, Taz, Dave Carella, Supa Steve, Sir Rok A lot, Sut, Megatron, Dre, Gumbi and Leanski. Over the next year, the media had popularized breaking, and the global B-Boy community began to grow as a result. As the culture spread around the world, it too expanded throughout Boston, and even gaining a few members from Providence, Rhode Island, with Nolee and Archie, just to name a few. Fast forward to 1983, which saw a history-making showdown as Speedy (R.I.P) and Mike Gileo brought out Float and Chino from the Incredible Breakers (NYC) to do some shows in Boston.  What Float and Chino didn’t know is that they were actually being brought to Boston to battle the Floor Lords. My crew was notorious for being aggressive, and was known for getting into battles with everyone in the city of Boston. That said, there was plenty of hatred towards my crew in the city. To make the story short, my crew ended up battling Float and Chino and losing the battle quite sorely. No one in Boston had ever seen anything like Incredible Breakers before. Most B-Boys during that time typically specialized in one move, or a few moves, but the Incredible Breakers specialized in it all. For the people that don’t know of the Incredible Breakers, they were amongst the pioneers of toprock/rocking, innovated power moves and displayed a then next-level finesse. Not only did they inspire us to become well-rounded B-Boys, but they also inspired us to be more humble. They have been part of the legacy and family since that battle. About two years later, in 1985, Floor Lords and Unikue Dominoes were Boston’s most respected crews and biggest rivals. While both crews had battled on multiple occasions, there was never really footage or any press of any of the battles. So a major exhibition was set up between them through a campaign called “Rock Against Racism.” It was pretty much our city’s equivalent to the Rock Steady Crew vs Dynamic Rockers at the Lincoln Center. Most of the city of Boston came out to see the battle and a local TV station even filmed it. Another local crew, Spin City Rockers, joined Unikue Dominoes and the younger chapter of Floor Lords– called Floor Lords 2– joined the Floor Lords for the battle. The Floor Lords ended up winning the battle by a landslide and ultimately gained Boston’s respect. Around 1986, breaking began to die down across the country, but my crew still stayed strong. During these times, house dancing and new styles of Hip Hop dance became the more popular dance styles across the USA. People were really against breaking during this period, so in order for my crew to stay relevant in the performance world they had to learn to adapt to the newer styles of dance too. People would literally throw ice and water all over the floor at the time to prevent B-Boys from getting down. Despite the fact that everyone told the crew that breaking was played out and over, they kept with it. The crew managed to stay alive, but it died down to just Cisco, Flex, Archie, and my dad, Leanski, for a few years. Breaking finally made its resurgence on the East Coast again in the early 90s. And it was during that time that a couple of underground videotapes floated around, including crews like Battle Squad, Second to None, Aktuel Force and Rock Steady Crew. The most memorable footage I remember watching with my dad was the footage of Battle Squad at Battle of the Year 1992. For the older guys in my crew, it was really inspiring to see this footage because they got to see how big and how high-level breaking had become overseas. In fact, they hadn’t really see anyone break at such a high level in years. There were only two crews in the Boston area that could actually break in the early 90s­– Floor Lords and Something Different. And as for Something Different, they were more of a popping crew. The Rock Steady Crew Anniversary, Zulu Anniversary, and the videos of European B-Boys really gave  our community fuel again. In 1995, Leanski finally took commands of the crew and brought us back to our essence. He put more emphasis on training for breaking and popping, rather than adapting so much to the newer styles of dance. He began teaching my cousins and I how to break, gathered former members and started to recruit newer members to the crew to rebuild it. Around that time, Float had connected us with Kwikstep. We began building with Kwikstep and the people of his movement called Full Circle. This movement brought

Interview, Interviews, Videos

Interview: Avenue Talks ‘The Chandelier View,’ Storytelling, Influences & More

[Via HITP Music] http://www.HITPmusic.com: Lindsey Gamble (@LindseyGamble_) sits down with Boston’s Avenue (@AvenueBLVD) for an exclusive interview about his debut album ‘The Chandelier View,’ perfecting his storytelling, utilizing visuals, influences, and more. Interview by: @LindseyGamble_ Artist: @AvenueBLVD Location: @MassAprlStore Edited by: @LindseyGamble_ Read an in-depth review of ‘The Chandelier View’: http://www.hitpmusic.com/avenue-the-c…

Interview, Interviews, Videos

EMPOWER – RAYEL

Latest visual release from HiFadility x F.O.R. Media featuring Rayel: Inspired by HiFadility’s concept project “The Queens”, WE Empower is a collaboration between BRIDGES, HiFadility and F.O.R. Media that explores questions around gender, race, and human potential while highlighting the work and identities of various creators in Boston. Rayel, a singer/songwriter/rapper, is the first within this series and provides valuable insight into life as an artist and the trials of being humans. Rayel, a singer/songwriter/rapper, is the first within this series and provides valuable insight into life as an artist and the trials of being humans. Rayel Instagram: @keepitrayel Soundcloud: @keepitrayel Twitter: @keepitrayel Video by: F.O.R. MEDIA formedia.io Twitter: @FOR_MediaCollab Music: U.N.I.T.Y. – Queen Latifah [HiFadility Edit] Twitter: @iamhifadility

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FRAN P SPEAKS ON “PANCHO”, HIS RELATIONSHIP WITH THE ARCITYPE & MORE (VIDEO)

[Via Straight Fresh] The newest HITP interview was focused on Boston’s AR Classic representative Fran P. The discussion revolved around the upcoming Pancho release, working with The Arcitype, his relationship with The Bridge Sound & Stage, how the creation of a singular song differs from an entire project, his experiences at A3C and more. The video was recorded at Mass Apparel in Cambridge. Watch the video below. Connect with Hard In The Paint: http://www.HITPmusic.com http://www.Twitter.com/HITPmsuic http://www.Facebook.com/HITPmusic http://www.Instagram.com/HITPmusic

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SPNDA Talks ‘Light Skinned,’ More Boston Music News

[Via Scope Music] CCRMG x Scope Music Artist SPNDA‘s recent interview with  @LindseyGamble_ for Arena about his upcoming collaborative album with Rah Intelligence: Light Skinned. Photo by Sofija V. * SPNDA recently released a new single in “Sweet Chin Serenade.” REKS joined the young talent on the The Rah Intelligence produced cut, which serves as the lead single for his forthcoming album, Light Skinned, due out November25th.In an Arenaexclusive, SPNDA talks all about that, and much more. Arena: You’re part of Retrospek, a hip-hop trio that features emcee JuneLyfe, producer Rah Intelligence and yourself. In summer of 2013, XXL selected you guys as one of 15 Boston Rappers You Should Know. While you still make music together, for the last year and a half, you’ve gone the solo route, releasing a number of solo projects like The Jeffrey and Cornrows & Babyhairs EP. What made you decide to go the solo route? career? SPNDA: Everyone knows us as a collective but people don’t know our individual talents. We are all individual artists who come together to form something greater. I think everyone should also have an opportunity to show themselves in that light. We’re also in a creative mode where we are all working and sometimes in different directions or ideas but still want to put out the material. It’s a chance for us to follow ideas that might not fit for the group and do our own thing. In the same time, JuneLyfe released and Rah released solo projects and have more in the works. Since we came in as a group, we already have a team so it’s dope to have my brothers support what I am doing and vice-versa. Arena: How was your A3C experience? Tell me all about it. SPNDA: It was dope. I feel like I learned a lot, not only from the trip itself, but the group of artists I took it with. It gave me a chance to chill with other artists from my own city and get to know them in a different light. One of the best parts was being around artists I am a fan of, who I have looked up to and being given the shot to be on the same level as them, to be one of their peers. That was very humbling. I got to work with these cats. There was a lot of music created down. In fact, an entire album was created that lays the groundwork for future collaborations. Arena: You’ve been on tracks with a range of artists out of the Boston area like REKS, Dua of Bad Rabbits, Real P, and much more. Who is your favorite artist to work with? SPNDA: Its hard to call favorites. I work with a lot of artists and producers out here. From my own Cool Collective Reps / Scope Music family, I work with cats like Dua, Catch Wreck, EvillDewer and am currently cooking up some stuff with OTO. I have a lot of work with the Jungle Club (Kae Tea, J. Howell and Sir Locksley), and a yet-to-be named group consisting of myself, REKS, Moe Pope, The Arcitype, and others. My attitude is I’m just an artist and anybody willing to create dope shit, I’m down. Arena: At the end of November, you’re going to release your new album, Light Skinned. What’s behind the album title? SPNDA: The obvious answer is because I’m light skinned, but it’s more or less taking what used to be an insult or name I was called — I have literally had my name reduced to “lightskin” at one point in time — and putting my own spin on it. This is a joke that has been consistent in my life. There are many times I have faced being stereotyped and prejudged for being the light skinned guy before getting the chance to express myself or my own identity. This project is about that and the broader way we judge each other. It was a way to fight off the stigma of the light skin guy and “make light” of the whole idea that you can know what someone is like or has been through because of how they look. Arena: The promotion for Light Skinned has been quite interesting. Instagram has been one of your main tools. You’ve photoshopped your face onto numerous familiar album covers, movie posters and other things of that sort. What gave you this idea and how effective has it been? SPNDA: Another myth amongst us light skins is that we all look alike so I figured why not put my face on any substantial light skin figure in pop culture, since we all look alike. Almost every example is a joke someone has made at one time or another about me. We started with the people I named on “Al B Sure” and built from there. It has definitely gotten a lot of attention because it gives people another aspect of my personality. In this day and age, people want more than the music. They want to know you and this was a joke we could all share. We have since begun transforming other people into light skinned gods, including Rah Intelligence and Malcolm J. Gray, who we do a live demonstration of the process with. Arena: Let’s talk about the actual music. What can listeners expect to hear on Light Skinned? SPNDA: Sonically, a very traditional sound, very chop and loop driven. Its very minimal on drums. It’s definitely a smooth listen. We worked hard on consistency and arrangement. Conceptually, it is an experience in itself. I was able to channel a lot of my personality into a lot of the content this time around because I was touching on such a personal topic. I never went too deep but it was definitely more personal than I usually get. Expect gritty vocals and the traditional cassette tape experience. Yes, we are trying to make that happen too. Arena: What was the recording process like? SPNDA: Comfortable. It was basically all done in Rah’s house which is where we created a lot

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The Grinder – Episode 4: J Sketch

[Via Grassroots Grind] For the fourth episode of ‘The Grinder’ Scope / GGG’s own Jake links with up and coming Boston MC J Sketch at an in-store show at Kulturez. Host: Jake Guest: J Sketch Filmed by: Chad Nelson Edited by: Jake and Chad Performance and Extras: http://www.youtube.com/watch?v=Ldu81O… J Sketch https://www.facebook.com/JustinSketchler http://Myspace.com/JustinSketch http://Youtube.com/JustinSketch420 http://Twitter.com/JustinSketch http://Datpiff.com/mixtapes-search.php http://ReverbNation.com/JustinSketch http://Google.com/JustinSketch Grassroots Grind http://www.grassrootsgrind.com/ https://twitter.com/grindgroup https://www.facebook.com/GrassrootsGrind http://grassrootsgrind.tumblr.com/ Scope Urban Apparel http://scopeurbanapparel.com/ https://twitter.com/scope_apparel https://www.facebook.com/scopeurbanap… http://www.youtube.com/scopeurbanapparel http://scopeurbanapparel.tumblr.com/ http://instagram.com/scopeurbanapparel More J Sketch J. Sketch – Shook Ones Freestyle (Official Music Video) J. Sketch – Sincere [Nas Is Like Freestyle] (Official Music Video) J. Sketch – Rise N’ Shine [#MuFuckAHookDoe!] (Official Music Video) J. Sketch – Remember When (Official Music Video) J. Sketch – Headies, Kush, Haze & Sour Diesel/Hometown (Official Music Video)

Interviews, Videos

The Grinder – Episode 3: HiFadility

[Via Grassroots Grind] For the third episode of ‘The Grinder’ Scope / GGG’s own Catch Wreck sits down with Boston-based producer HiFadility to talk about his path as a producer, collaboration across genres, and where he draws his inspiration from. Learn more about HiFadility at http://iamhifadility.bandcamp.com/ Host: Catch Wreck Guest: HiFadility Filmed and Edited by Jake Outtakes and extras: http://www.youtube.com/watch?v=bKgmdn… HiFadility on Giving and Corporate Sponsorships HiFadility http://iamhifadility.bandcamp.com http://iamhifadility.tumblr.com http://twitter.com/iamhifadility Grassroots Grind http://www.grassrootsgrind.com/ https://twitter.com/grindgroup https://www.facebook.com/GrassrootsGrind http://grassrootsgrind.tumblr.com/ Scope Urban Apparel http://scopeurbanapparel.com/ https://twitter.com/scope_apparel https://www.facebook.com/scopeurbanap… http://www.youtube.com/scopeurbanapparel http://scopeurbanapparel.tumblr.com/ http://instagram.com/scopeurbanapparel

Blog, Interviews

Whyd Interview with Lightfoot: Hip Hop from Boston

[Via Whyd] 1. Can you tell us about yourself? How does your personality show up in your music? My name is Lightfoot, and I’m a sample-free hip hop producer out of Boston MA.  I grew up on all sorts of different music, but sometime around high school, I really fell in love with hip hop.  I’m not just talking about rap music either; I really fell in love with the whole culture. The DJs, the b-boys, the graffiti, it all took a pretty strong hold on me, and my growing appreciation for the culture made me want to be a part of it. I wasn’t great at drawing so Grafitti didn’t work, I didn’t have good enough equipment to DJ, and dancing was never going to happen for me, so beat making was the obvious choice.  When I first started making music, I was really influenced by artists like MF DOOM and Mad lib, so my beats were very “boom bap” and sample heavy.  I loved that traditional hip hop feel, so it was important for me to replicate that in my music.  As i continued to make beats however, I began stepping away from sampling, and really tried to force myself to make original productions.  This was due to the ever evolving legality issues with rap music as well as my own desire to feel more satisfied after making a beat.  As I shifted my methods I also departed from only listening to underground hip hop and started expanding into other genres such as electro and indie rock. I then began to mesh all of these influences together whenever i sat down to make a beat. I always try to make my music emotional (probably because I’m an emotional dude) and I always try and make it interesting, but ultimately I just make music and try and let things happen organically, and hope that I come up with something good as a result. 2. When did you start producing music and when did it click that you had to pursue it seriously? I think I made my first “beat” (i use that term VERY loosely) when i was in 8th or 9th grade.  I ended up with a copy of fruity loops somehow and decided to do some exploring.  The results were pretty bad, but they were my first so they are cool in that respect.  I did this on and off for about 6 or 7 years until i finally met my mentor and good friend The Arcitype.  I started interning at his recording studio, and was able to see how a professional producer operates.  It blew my mind and gave me so much inspiration that I ended up quitting my job and focused all of my efforts on music.  It lightened the wallet tremendously, but it allowed me to really hone my craft and in doing so find what I truly love to do.  I haven’t looked back since, and have been enjoying every second of it. 3. What’s the Boston music scene like?  The music coming out of Boston is pretty awesome.  There is a wide range of material that fits almost any palate, and a lot of it is pretty unique.  Unfortunately A LOT of it is unknown, even to people who reside in Boston.  That is the real downfall of this place.  We don’t really have an active listening community here.  People have their cliques, and their specific artists who they support, and rarely depart from that.  This makes for poorly attended shows, and hard for newer artists to break out. Boston is also particularly hostile to rap shows.  It seems like every day another venue closes its doors to hip hop.  This is due to a number of reasons (which may or may not be valid), but it makes it very hard to navigate and expand in the hip hop scene here.  You kind of just need to cross your fingers and hope you meet the right person who will introduce you to their scene, which may or may not be a good one.  All in all, the music itself is great.  Some of my favorite artists come from Boston, so I will always be a fan of the music this city produces.  My main beef, and quite frankly only beef, are the promoters and venues in the city.  They don’t allow for this place to breathe and evolve the way it should.  I love Boston though, and I will always be a part of this city musically. 4. What should we look forward to from you in the near future? I’m actually currently wrapping up an EP I have been working on with my rapper homie Andrew Milicia.  Collectively we go by “Remains”, and our EP is titled “Ei8ht Se7en”.  I’m pretty excited for the drop and eager to share our work.  The project will be available as a free download on Bandcamp.  Andrew is a super talented rapper/lyricist/songwritter, and i love the beats on the record so it’s definitely something I’m proud of. I also have a bunch of other projects in the works, but everything is still in the early stages so I can’t speak on them just yet. I’m certainly staying busy though, so there will be plenty of music in the future.  In the meantime you can check out my instrumental album i put out last fall called “The Rudimentals” which is available on iTunes/Spotify/Pandora.  Cheers! Thanks Lightfoot! Make sure you take a listen to his work on Soundcloud, like his Facebook page, follow him on Twitter, and of course subscribe to him on Whyd!  SOURCE: http://blog.whyd.com/post/56139417374/interview-with-lightfoot-hip-hop-from-boston

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Djbooth reviews REKS |REVOLUTION COCKTAIL|

Dj Booth did a review for REKS upcoming and out now project |REVOLUTION COCKTAIL| If your interested just click on the DjBooth Link or if you want to purchase the Project click on REKSHipHop’s LINK Revolution Cocktail can be purchased at REKSHipHop.com. The review from DjBooth

Blog, Interviews

Beats, Rhymes and Life 8/23/12 – 2/21/13

Here’s a bunch of Beats, Rhymes and Life interviews; Definitely there’s some dope music and conversations on BRL and a lot of amazing peoples and artists that appreciates the music, culture and arts. We’ve been slacking on keeping up with the BRL weekly shows but here’s an archive for you to go through if you missed em. #JustPressPlay 8-23-12 http://www.unregularradio.com/bostonradio/podcasts/BRL8-23-12.mp3 8-30-12 http://www.unregularradio.com/bostonradio/podcasts/BRL8-30-12.mp3 9-6-12 http://www.unregularradio.com/bostonradio/podcasts/BRL9-6-12.mp3 9-13-12 http://www.unregularradio.com/bostonradio/podcasts/BRL9-13-12.mp3 9-20-12 http://www.unregularradio.com/bostonradio/podcasts/BRL9-20-12.mp3 9-27-12 http://www.unregularradio.com/bostonradio/podcasts/BRL9-27-12.mp3 10-04-12 http://www.unregularradio.com/bostonradio/podcasts/BRL10-04-12.mp3 10-04-12 Cyber http://www.unregularradio.com/bostonradio/podcasts/BRL10-04-12Cypher.mp3 10-18-12 http://www.unregularradio.com/bostonradio/podcasts/BRL10-18-12.mp3 10-25-12 http://www.unregularradio.com/bostonradio/podcasts/BRL10.25.12.mp3 11-1-12 http://www.unregularradio.com/bostonradio/podcasts/BRL11-1-12.mp3 11-8-12 http://www.unregularradio.com/bostonradio/podcasts/BRL11-8-12.mp3 12-6-12 http://www.unregularradio.com/bostonradio/podcasts/BRL12-6-12.mp3 12-20-12 http://www.unregularradio.com/bostonradio/podcasts/BRL122012.mp3 1-3-13 http://www.unregularradio.com/bostonradio/podcasts/BRL1.3.13.mp3 1-10-13 http://www.unregularradio.com/bostonradio/podcasts/BRL1.10.13.mp3 1-24-13 http://www.unregularradio.com/bostonradio/podcasts/BRL1.24.13.mp3 2-7-13 http://www.unregularradio.com/bostonradio/podcasts/BRL2-7-13.mp3 2-14-13 http://www.unregularradio.com/bostonradio/podcasts/BRL2.14.13.mp3 2-21-13 http://www.unregularradio.com/bostonradio/podcasts/BRL2.21.13.mp3

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