Interview

Blog, Interview, Interviews

FRAN P SPEAKS ON “PANCHO”, HIS RELATIONSHIP WITH THE ARCITYPE & MORE (VIDEO)

[Via Straight Fresh] The newest HITP interview was focused on Boston’s AR Classic representative Fran P. The discussion revolved around the upcoming Pancho release, working with The Arcitype, his relationship with The Bridge Sound & Stage, how the creation of a singular song differs from an entire project, his experiences at A3C and more. The video was recorded at Mass Apparel in Cambridge. Watch the video below. Connect with Hard In The Paint: http://www.HITPmusic.com http://www.Twitter.com/HITPmsuic http://www.Facebook.com/HITPmusic http://www.Instagram.com/HITPmusic

Blog, Interviews

SPNDA Talks ‘Light Skinned,’ More Boston Music News

[Via Scope Music] CCRMG x Scope Music Artist SPNDA‘s recent interview with  @LindseyGamble_ for Arena about his upcoming collaborative album with Rah Intelligence: Light Skinned. Photo by Sofija V. * SPNDA recently released a new single in “Sweet Chin Serenade.” REKS joined the young talent on the The Rah Intelligence produced cut, which serves as the lead single for his forthcoming album, Light Skinned, due out November25th.In an Arenaexclusive, SPNDA talks all about that, and much more. Arena: You’re part of Retrospek, a hip-hop trio that features emcee JuneLyfe, producer Rah Intelligence and yourself. In summer of 2013, XXL selected you guys as one of 15 Boston Rappers You Should Know. While you still make music together, for the last year and a half, you’ve gone the solo route, releasing a number of solo projects like The Jeffrey and Cornrows & Babyhairs EP. What made you decide to go the solo route? career? SPNDA: Everyone knows us as a collective but people don’t know our individual talents. We are all individual artists who come together to form something greater. I think everyone should also have an opportunity to show themselves in that light. We’re also in a creative mode where we are all working and sometimes in different directions or ideas but still want to put out the material. It’s a chance for us to follow ideas that might not fit for the group and do our own thing. In the same time, JuneLyfe released and Rah released solo projects and have more in the works. Since we came in as a group, we already have a team so it’s dope to have my brothers support what I am doing and vice-versa. Arena: How was your A3C experience? Tell me all about it. SPNDA: It was dope. I feel like I learned a lot, not only from the trip itself, but the group of artists I took it with. It gave me a chance to chill with other artists from my own city and get to know them in a different light. One of the best parts was being around artists I am a fan of, who I have looked up to and being given the shot to be on the same level as them, to be one of their peers. That was very humbling. I got to work with these cats. There was a lot of music created down. In fact, an entire album was created that lays the groundwork for future collaborations. Arena: You’ve been on tracks with a range of artists out of the Boston area like REKS, Dua of Bad Rabbits, Real P, and much more. Who is your favorite artist to work with? SPNDA: Its hard to call favorites. I work with a lot of artists and producers out here. From my own Cool Collective Reps / Scope Music family, I work with cats like Dua, Catch Wreck, EvillDewer and am currently cooking up some stuff with OTO. I have a lot of work with the Jungle Club (Kae Tea, J. Howell and Sir Locksley), and a yet-to-be named group consisting of myself, REKS, Moe Pope, The Arcitype, and others. My attitude is I’m just an artist and anybody willing to create dope shit, I’m down. Arena: At the end of November, you’re going to release your new album, Light Skinned. What’s behind the album title? SPNDA: The obvious answer is because I’m light skinned, but it’s more or less taking what used to be an insult or name I was called — I have literally had my name reduced to “lightskin” at one point in time — and putting my own spin on it. This is a joke that has been consistent in my life. There are many times I have faced being stereotyped and prejudged for being the light skinned guy before getting the chance to express myself or my own identity. This project is about that and the broader way we judge each other. It was a way to fight off the stigma of the light skin guy and “make light” of the whole idea that you can know what someone is like or has been through because of how they look. Arena: The promotion for Light Skinned has been quite interesting. Instagram has been one of your main tools. You’ve photoshopped your face onto numerous familiar album covers, movie posters and other things of that sort. What gave you this idea and how effective has it been? SPNDA: Another myth amongst us light skins is that we all look alike so I figured why not put my face on any substantial light skin figure in pop culture, since we all look alike. Almost every example is a joke someone has made at one time or another about me. We started with the people I named on “Al B Sure” and built from there. It has definitely gotten a lot of attention because it gives people another aspect of my personality. In this day and age, people want more than the music. They want to know you and this was a joke we could all share. We have since begun transforming other people into light skinned gods, including Rah Intelligence and Malcolm J. Gray, who we do a live demonstration of the process with. Arena: Let’s talk about the actual music. What can listeners expect to hear on Light Skinned? SPNDA: Sonically, a very traditional sound, very chop and loop driven. Its very minimal on drums. It’s definitely a smooth listen. We worked hard on consistency and arrangement. Conceptually, it is an experience in itself. I was able to channel a lot of my personality into a lot of the content this time around because I was touching on such a personal topic. I never went too deep but it was definitely more personal than I usually get. Expect gritty vocals and the traditional cassette tape experience. Yes, we are trying to make that happen too. Arena: What was the recording process like? SPNDA: Comfortable. It was basically all done in Rah’s house which is where we created a lot

Blog, Interviews

Catch Wreck Interview with Spare Change News

(Via RapperSlashBlogger.com) Catch Wreck sits down with Kevin Emile of Spare Change News to talk about his career in hip-hop, how he wound up where he is, what its like working with a band and what to expect down the road. SOURCE: http://www.sparechangenews.net/news/bohemian-beats-scn-chops-it-boston%E2%80%99s-avant-garde-hip-hop-artist-catch-wreck Bohemian Beats: SCN Chops It Up with Boston’s Avant-Garde Hip Hop Artist, Catch Wreck Q. Where in Boston are you currently residing? A. Roxbury, MA Q. How would you compare Boston to other cities you’ve been in or know about? A. Boston has a very unique mind state I would say. The people are disconnected, their living in their own zone. The people don’t really travel outside of their own comfort zone. I think it’s racially divided and unequal. I think there are a lot of issues with racism that don’t get addressed properly. On the other hand there are many cities that have a pattern of racial profiling or a pattern of police brutality, but here in Boston I think it’s unique that we have the longest history of it given that we have the first police department in the nation and the primary function of it was to catch slaves and return them to their slave owners whether they were free or not. So we have the longest history of racial profiling and also inspired police departments across America. Q. How would you explain Boston’s Hip-Hop scene currently? A. Number one as a Hip-Hop scene I feel we should focus more on controlling our own things. Whether its a media source, an outlet to distribute music or promotions I feel we should have more control of our music and how we handle it. But we have a great Hip-Hop scene in terms of the talent, I think it’s unfortunate that some of the best artists receive the least attention and the less talented ones get the fill of it. But we definitely have a great diverse group of talented people here and whether or not they receive the recognition they deserve I think it’s great that we have that. Q. how do you rise above the stereotype of being labeled just another Boston rapper? A. I do way more than just Rap, that’s how I rise above that. In my free time I work with a lot of different kinds of grass roots organizing for the community. I work with teens during the day; I try to be a mentor or an older brother to the youth. So I have a lot more going on than just being a rapper. Even musically I do more than that. I’m also part of a Rock Band called Sweatshop because I enjoy expanding my craft and taking part of fun opportunities like that. I just rise above the overall stereotype that as a rapper all I do is just Rap. Even in my music, I don’t objectify woman, I don’t promote negativity, which some think Rap is all about, I avoid talking about those subjects and only paint the most realistic picture of life for the listener. Q. How do you go about creating music to give to your fans? A. It’s almost selfish sometimes because I’m driven by personal expression, how I feel and what I believe should be put out there. My creative process all depends on the moment because at the most random times I can come up with a few lines that I have to write down right then, come back to it later and zone out to it. Or some days I just throw a few beats on and write down how I’m feeling or I collect the bits and pieces scattered in my mind from the day and connect the pieces together into a song. Q. You’re a solo artist, and also lead in a band, Sweatshop. Where did the fusion come from? A. I had the concept of being in a rock band from a young age. I use to draw pictures of myself in a rock band. The fusion of the band began one night I was performing at a house party when I was introduced to my drummer Jonas Mayer through a mutual friend and we were discussing ideas about music, most importantly starting a band. He knew a bass player “Mark Vincent” who brought us to our recording space. From there we brought along a guitar player and then a singer. The whole process wasn’t easy. We dealt with complexities in choosing who to have with us and perform but the selection we chose is great and performing with a band is the greatest feeling ever. And I also love the fusion between Rock and Hip-Hop. Q. Where do the name’s CatchWreck and Sweatshop come from? A. The band name Sweatshop comes from our rehearsal space which is a curtain factory. When you enter the space it reminds you of a Sweatshop, which was my first comment from a joke I made about the space. My stage name CatchWreck took longer to come up with after going through different names when younger. My first name Conscious Young was given to me by Kyle Jason who at the time was a musical mentor to me and was also the producer for Public Enemy. Upon meeting Public Enemy I got flown out to the studio in Long Island which was at Chuck D’s home and inside I was given the name Conscious Young. After going by Conscious Young, I started going by Catch 22 until I came up with CatchWreck which is an acronym for “Creating Arts To Cause Havoc When Revolution Engages Conscious Knowledge”. Q. What are some of your favorite songs to perform with the band? A. We have a song called “Freaky Baby” which is fun to perform because it lets the audience get loose and have fun. “Fight back” is great because it’s a “get people going” kind of anthem because of the build ups in the song and people like unexpected surprises so that song is fun.

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