Albums, Mixtapes & Projects
Chronic Tone – MEATBALLS [Beat Tape]
New beat tape from the fam Chronic Tone: Tracks marked in comment/time links. Available for purchase: chronictone.bandcamp.com/album/meatballs-beat-tapeDigest in preparation of MAFIUSU Pt.IAll tracks produced by Chronic Tone.
FISHSCALE – Al Divino
Al Divino is back with more mastery and madness: ‘FISHSCALE‘ is available via Bandcamp and features production from Giallo Point, Vago, DJ Mastamind and Slumcheevers. Get a taste from the snippets below and be sure to go support the project!
Jefe Replay – Proper Finessments [Album]
Jefe Replay‘s latest album ‘Proper Finessments‘ is out now on all streaming platforms: Tidal | Spotify | Apple Music | iTunes | YouTube | Deezer | Google Play Stream below and be sure to go support! 1. A Different Road 2. Roxbury Syrup 3. Foreign Exchange 4. Like That 5. Headlights 6. FWM 7. Actin’ Different 8. Stay Ugly 9. Ain’t Shit Freestyle 10. Sips Tea 11. Best for Me 12. Extraordinary (feat. Maka)
GRUBBY PAWZ – KRUDEBRICK EP
The homie Grubby Pawz just released his debut EP “KRUDEBRICK” under the City Yard Music imprint he started with Haze. The project is entirely produced by Grubby and features lyrics from some of the nicest in the game including Lord Juco, Sullynomad, Sekwence and of course some of the local fam like SPNDA, datkidbravo and Estee Nack. The project is available for streaming below or buy it on digital / CD / Tape from City Yard Music. Artwork by EvillDewer
EvillDewer – The Voynich Manuscript [Snippet]
EvillDewer has announced his next project ‘The Voynich Manuscript’ which is the debut release of his new imprint Speak No Evil Recordings. The project will be available via Bandcamp on Friday on limited edition cassette. Below is a snippet of the project to preview: Friday (2/9/19) we release our debut LP ” The Voynich Manuscript” by @evilldewer on very limited edition cassettes. There will be 3 different variations and all cassettes will include OBIs!! NOT a pre order cassettes ready to ship 7 days post to order! pic.twitter.com/nxmWvB32oY — Speak No Evil Recordings (@Speaknoevilrecs) February 5, 2019
Winter in Boston – Vinyl Villain
Vinyl Villain‘s latest offering! Available on all streaming platforms: iTunes | Amazon | Google Play
STL GLD – The New Normal
Salute to the fam STL GLD on their latest release ‘The New Normal’, out now on all streaming platforms: Spotify | Apple Music | CD / Vinyl Preview Below: Press Links: In STL GLD’s view, there’s nothing normal about ‘The New Normal’ (Boston Globe) With ‘The New Normal,’ STL GLD Establishes Its Own Status Quo (WBUR Artery) Boston Band STL GLD On Confronting America’s ‘New Normal’ (Radio Boston) Announcement:
Al Divino ‘HEADCRACK EP’ [Snippet]
Al Divino dropping bombs again! Go get that new ‘HEADCRACK EP‘: Preview via Facebook Also don’t sleep on ‘DANGER!‘ also available via bandcamp.
Red Shaydez – The Chillin’ In The Shade EP
From Soundcloud: The Chillin’ In The Shade EP is the second effort by the multi-faceted Hip Hop recording artist Red Shaydez. This 8-track EP dives into very personal matters that Red Shaydez chooses to face head on. She stated that this project was very therapeutic for her and that the songs serve as an ongoing healing process. The Chillin’ In The Shade EP features trap, soulful samples, and melodic vibes. Sit back, relax and enjoy the tunes! Engineered by Aaron Mattes @mixedbyaaron
Magno Garcia, King Author & Codenine – The Professional (prod. Vinyl Villain)
Vinyl Villain has a fresh new jawn “The Professional” with Magno, King Author and Codenine:
Nightworks – The Beat Will Always Save Us Vol. 1
Nightworks is a Boston based live beat show series created by Rah Zen withVisual Projections by Samo, Kadeem as Host, DJ Manipulator and a rotating crew of guest performers. The crew has put together ‘The Beat Will Always Save Us Vol. 1‘ a tape of original beats and tracks from artists who have performed at the showcase. Buy on Tape / Digital Download NIGHTWORKS 1 YEAR ANNIVERSARY COMPILATION: Nightworks is monthly, beat-focused show series integrating instrumental music, visual projections, art exhibitions, hip-hop culture, and community. It started in the aftermath of an incredibly vibrant Midnight Satori release party (the prototype formula for the show) because everyone was asking me when the next beat show was. It was a bit over two months before I left on the road for LA, but I knew I wanted to make it happen, so I assembled the squad, booked the lineup and the gave it the name Nightworks, an ode and flip on Dilla/Raymond Scott’s “Lightworks.” Combined with visuals by the illustrious Samo, and head-banging, progressive beat sets, all anchored by the hosting mastery of Kadeem, the concept and heart of Nightworks was born. Episode 1 was the first show of it’s kind in Boston, a place for people to vibe freely, connect with each other, with full focus on producers who were just being themselves with no air of competition. After having Ep. 2 in LA with Jeremiah Jae, Jansport J, Mohdal Soul, and EMV, we brought Nightworks back to Boston for Ep. 3 at the tail end of winter with Dibia$e, Billy Loman, Paranom and Jonathan Cloud, with myself on the lineup as well. It was then that we added DJ Manipulator as our resident DJ, a now staple and anchor of the show’s musical dexterity and eclecticism. That night was legendary, and served as another beginning for the show; the true take-off into Boston’s hip-hop community. Dibia$e played several beats made from the previous night’s 15 hr session with most of the show’s lineup. People said things like, “Nightworks gave me something in hip-hop that I thought was lost” and raved about the energy and sounds of the night, expressing genuine gratitude and hunger for more. From there, the momentum grew fast, raising our attendance from 50-60 people to 80-100 over the next few episodes. Ep. 4 featured House Shoes, Wowflower, and Grubby Pawz and hometown fire spitters Al. Divino and Estee Nack. This time, we introduced a pop-up Records & Tapes store courtesy of Mars Jupiter’s “The Vibrary”, for the diggers. By Ep. 5 with Elaquent, Lightfoot, Dephrase, Nothing Neue, and Hollowz, our crowd was fully in touch and ready for what Nightworks brought to the table. People lost their minds and moved uncontrollably, sharing in the euphoric sounds of the beat culture. I started hearing a lot of people say it was the best, or their favorite, event series in Boston, something they had never experienced in this city before. What was amazing to me was that many of the people were not super beat heads already, but were discovering the music for the first time, if not delving further than they had before. On top of that, Boston’s producer community has gathered in unity and support around the show, showing out for each other’s performances and using it as a space to test out new material and techniques. This compilation honors Nightworks first loop around the sun, with beats from over 30 producers who graced a Nightworks lineup in our inaugural year. It’s called The Beat Will Always Save Us Vol. 1 because we plan to be here for many more years to come, and continue to provide our city with a transcendent and multi-faceted experience all with the aim of bringing love and togetherness to our city’s hip-hop community.