Boston Old School

Boston Old School
Boston Hip-Hop History
Pioneers, Artists, DJs, MCs, B-Boys, Beatbox

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Massachusetts Hip-Hop Archive

[Via UMass Boston] In 2016, University Archives & Special Collections in the Joseph P. Healey Library at UMass Boston launched the Massachusetts Hip-Hop Archive with an initial donation by Pacey Foster of recordings from the Lecco’s Lemma radio program, a local rap music show that was founded by Magnus Johnstone and ran from 1985 to 1988 on local college radio stations WMBR (88.1 FM) and WZBC (90.3 FM). The Lecco’s Lemma Collection contains both artist demos that were given to Magnus, as well as recordings of the show made by Willie “Loco” Alexander, who regularly taped the show throughout its run. Click here to browse the digitized recordings from the Lecco’s Lemma Collection, or read more about the collection here. As we continue to develop this new collection area, we welcome donations of archival materials from musicians, DJs, breakdancers, graffiti artists, producers, promoters, and fans that will help us document the rich heritage and legacy of hip-hop culture in Boston and Massachusetts. Browse the Archive > What kinds of materials do we collect? Audio and video recordings (cassettes, videotapes, and film reels) Original photographs, negatives, and slides Flyers, promotional materials, and unique publications and magazines Letters, diaries, and other firsthand accounts Do you have original & unique materials related to hip-hop in Boston and Massachusetts that you think should become part of the Massachusetts Hip-Hop Archive? Contact an archivist at UMass Boston by emailing library.archives@umb.edu. This collection was made possible, in part, by a grant from the UMass President’s Creative Economy Initiative Fund and through the support of the Boston Public Library. Photo credit (above image): John Nordell?

Article, Blog, Boston Old School, Interviews

Boston’s Floor Lords Crew Celebrates 34 Years

[Via RedBull BC One] By DJ Lean Rock on Jun. 24, 2015 It’s been quite a blessing growing up as a part of Floor Lords, a legacy which began 34 years ago. One of the longest-standing & active breaking crews in the world (Only Zulu Kings, TBB, Rock Steady Crew and Dynamic Rockers have been around longer), Floor Lords has played a major role in developing the Boston Hip Hop community for more than three decades. The story begins in 1981 when Mass Break Team and a few members of New York Puppeteers joined forces. Mass Break Team ended up changing my father, Leanski’s, life when they introduced him to street hitting (hitting is a term for dancing on the street for money). My dad couldn’t believe they were actually making money on the street just from breaking and popping. Around this same time, several members from my dad’s original crew, NY Puppeteers, lost interest in dancing. So my dad started to hang out with Mass Break Team and started doing street shows with them in downtown Boston. Since my dad and a few others started to come around more often, Kid Cisco and Mad came up with the idea of starting a new crew called the Floor Lords. The original members of the crew were Kid Cisco, Mad, Taz, Dave Carella, Supa Steve, Sir Rok A lot, Sut, Megatron, Dre, Gumbi and Leanski. Over the next year, the media had popularized breaking, and the global B-Boy community began to grow as a result. As the culture spread around the world, it too expanded throughout Boston, and even gaining a few members from Providence, Rhode Island, with Nolee and Archie, just to name a few. Fast forward to 1983, which saw a history-making showdown as Speedy (R.I.P) and Mike Gileo brought out Float and Chino from the Incredible Breakers (NYC) to do some shows in Boston.  What Float and Chino didn’t know is that they were actually being brought to Boston to battle the Floor Lords. My crew was notorious for being aggressive, and was known for getting into battles with everyone in the city of Boston. That said, there was plenty of hatred towards my crew in the city. To make the story short, my crew ended up battling Float and Chino and losing the battle quite sorely. No one in Boston had ever seen anything like Incredible Breakers before. Most B-Boys during that time typically specialized in one move, or a few moves, but the Incredible Breakers specialized in it all. For the people that don’t know of the Incredible Breakers, they were amongst the pioneers of toprock/rocking, innovated power moves and displayed a then next-level finesse. Not only did they inspire us to become well-rounded B-Boys, but they also inspired us to be more humble. They have been part of the legacy and family since that battle. About two years later, in 1985, Floor Lords and Unikue Dominoes were Boston’s most respected crews and biggest rivals. While both crews had battled on multiple occasions, there was never really footage or any press of any of the battles. So a major exhibition was set up between them through a campaign called “Rock Against Racism.” It was pretty much our city’s equivalent to the Rock Steady Crew vs Dynamic Rockers at the Lincoln Center. Most of the city of Boston came out to see the battle and a local TV station even filmed it. Another local crew, Spin City Rockers, joined Unikue Dominoes and the younger chapter of Floor Lords– called Floor Lords 2– joined the Floor Lords for the battle. The Floor Lords ended up winning the battle by a landslide and ultimately gained Boston’s respect. Around 1986, breaking began to die down across the country, but my crew still stayed strong. During these times, house dancing and new styles of Hip Hop dance became the more popular dance styles across the USA. People were really against breaking during this period, so in order for my crew to stay relevant in the performance world they had to learn to adapt to the newer styles of dance too. People would literally throw ice and water all over the floor at the time to prevent B-Boys from getting down. Despite the fact that everyone told the crew that breaking was played out and over, they kept with it. The crew managed to stay alive, but it died down to just Cisco, Flex, Archie, and my dad, Leanski, for a few years. Breaking finally made its resurgence on the East Coast again in the early 90s. And it was during that time that a couple of underground videotapes floated around, including crews like Battle Squad, Second to None, Aktuel Force and Rock Steady Crew. The most memorable footage I remember watching with my dad was the footage of Battle Squad at Battle of the Year 1992. For the older guys in my crew, it was really inspiring to see this footage because they got to see how big and how high-level breaking had become overseas. In fact, they hadn’t really see anyone break at such a high level in years. There were only two crews in the Boston area that could actually break in the early 90s­– Floor Lords and Something Different. And as for Something Different, they were more of a popping crew. The Rock Steady Crew Anniversary, Zulu Anniversary, and the videos of European B-Boys really gave  our community fuel again. In 1995, Leanski finally took commands of the crew and brought us back to our essence. He put more emphasis on training for breaking and popping, rather than adapting so much to the newer styles of dance. He began teaching my cousins and I how to break, gathered former members and started to recruit newer members to the crew to rebuild it. Around that time, Float had connected us with Kwikstep. We began building with Kwikstep and the people of his movement called Full Circle. This movement brought

Guru
Blog, Boston Old School, Classics, R.I.P. Tribute

The Illest Brother © Gang Starr (Dedicated To The Life & Memory Of Keith “Guru” Elam)

By Dart Adams [ Via HipHopWired ] Today (July 17), is the late Keith “Guru” Elam’s birthday. Rest In Power.  I‘m old enough to remember back when Mike Dee & Keithy E left for New York in order to eventually land Gang Starr Posse a deal with K-Tel/Wild Pitch Records in 1987. Back then Boston’s Hip-Hop and Rap music wasn’t being acknowledged by New York City even though Bostonians had already made significant contributions to the culture of Hip-Hop and it didn’t look like that was going to change anytime in the near future. Boston was the second city after New York to feature an all Rap radio show. Many of the seminal, groundbreaking Rap songs played at the time were actually produced by Bostonians such as Arthur Baker, Michael Jonzun and Maurice Starr. Due to the fact no one paid attention to producers, only the artists back then Boston remained overlooked in regards to Hip-Hop. What would Boston Hip-Hop be like today had Guru and Mike Dee never gone to New York? What if those first Gang Starr Posse 12”s on Wild Pitch had never dropped? What if Guru never met DJ Premier (or Waxmaster C as he was known then) and made No More Mr. Nice Guy? How would that have affected not only Boston Hip-Hop history but Hip-Hop history as a whole? Not only would this piece never be written but I never would’ve have become a Hip-Hop journalist. I’m extremely conscious of Guru’s influence on me but let’s examine his influence on the other Bostonians who dreamed of scratching out a career and eventually achieving fame in New York. Boston has completely infiltrated New York Hip-Hop to the point few even realize how many of them are currently there now in regards to Hip-Hop (both print & digital) journalism, radio, production, emceeing, or business management. For example, take Geespin (Power 105), Sean C (Grind Music), Cherry Martinez (Power 105), Statik Selektah (ShowOff Radio), DJ Madsol-Desar, Dawaun Parker, Che Vicious (G.O.O.D. Music), Maya The B, J The S, DJ Synapse, Touré, Chairman Jefferson Mao, The Source and the crew from Clockwork Music. Even New York City’s mayor is from Boston now. It all started with one man who was willing to crash on couches, eat sparingly & work menial jobs in New York to be where he had to be to make his dreams come true and put his city on one day. Even though the beginnings of Gang Starr and Gang Starr Foundation all started in Boston close to 30 years ago, their membership and extended family spread throughout the boroughs of New York and their influence is now worldwide. These things were all made possible through the drive and determination of one man named Keith Elam. We all know Guru as the MC half of Gang Starr. We all remember the unique timbre of his voice. We all marveled at his conviction on the mic even when he was delivering in a laid back, relaxed manner. Guru was also an accomplished producer, an aspect of his amazing career that often gets overlooked. He had an eye for talent. He advocated for Lord Finesse to get signed to Wild Pitch after hearing his demo (which he took it upon himself to do at Stu Fine’s office). Guru also discovered and signed Bahamadia in addition to producing several of her most notable songs. Together, Guru and DJ Premier crafted the sound that came to define Brooklyn and East New York. Who would’ve ever expected that a transplant from Boston and another one from Houston came to create, symbolize and fully embody the sound and aesthetic of one of the most storied and highly regarded boroughs in Hip-Hop history? Guru’s highly influential Jazzmatazz series were his brainchild and he was the main producer behind the first three Jazzmatazz albums. He and DJ Premier reached out to many members of the GangStarr Foundation directly during their time in Brooklyn and East New York. Jeru Tha Damaja once told me flat out at the 2010 Boston Hip-Hop Unity Fest “Guru saved my life. Without his intervention and guidance I wouldn’t be alive speaking to you today. I’m not the only person who can say that, either” Guru spit countless classic bars and quotable lines over his illustrious career. He produced and penned both underground classics and radio hits. He helped to discover and put on numerous people we regard as legends in Hip-Hop today. Even when I heard him big up Brooklyn on records as a youth I knew that Boston, his home, could never leave his heart. In his memory we must make an effort to focus on the true essence of Hip-Hop culture and aspire to inspire others that follow. Make Guru proud. Make Boston proud. RIP  Keith “Gifted Unlimited Rhymes Universal” Elam (1961-2010) Source: HipHopWired

Boston Old School, Classics, Music Videos, Videos

The Almighty RSO – Hellbound

#ThrowBack from 1996 The Almighty RSO – Hellbound Boston Mass; Needs to bring back the kind of art and attitude The Almighty RSO represents. Raw talent from the streets. Their first full length LP Doomsday: Forever RSO which included the singles “You Could Be My Boo” featuring Faith Evans, “The War’s On” featuring Mobb Deep and “You’ll Never Know.

floorlords
Boston Old School

FloorLords Crew

FloorLords Crew Floorlore – The History of hip hop theatrical In 1998, the Floorlords developed the concept of a theatrical stage production which involves various styles of dance with several different disciplines. The dance styles ranged from African, Meringue, Salsa, Tap and Jazz combined with Capoiera and other martial art forms to depict a full and diverse show. All this coupled with the five (5) elements of hip hop (DJing, MCing, Graffitti, Beatboxing and B Boying/B Girling(Break dance) morphed what was natural to this crew into a two hour stage performance entitled “Floorlore, The History of Hip Hop”. The show is about how an array of dance styles along with various disciplines are intrical in its contribution to the hip hop culture. It also demonstrates how hip hop as a culture is not so negative as it is often portrayed by some through media, video as well as individuals who do not follow the true essence of what the culture is really all about. (Cursing, fighting and wearing your pants hanging off your butt for example does not necessarily make you a hip hopper.) The concept of the show involves different ideas that were put together by all the members of the group who specialized in these specific art forms. “Floorlore” was first performed to a sold out audience at Northeastern University’s Blackman Theater and is still today being performed by the group to sold out audiences at theaters and colleges all around the country. The show consistently receives rave reviews through newspaper publications in the multitude of cities where it is performed. Also at present, the crew has been incorporated into an entertainment company called “The Floorlord Movement” where they organize events and perform at community centers, concerts, nightclubs and schools all across the nation.Floorlords Crew Bboy/Girl(Breakdancing)Company From Boston Ma Visit the Website to Support @ www.floorlords.com//index.php?option=com_frontpage&Itemid=1

Almighty R.S.O.
Boston Old School

Almighty R.S.O.

Almighty R.S.O. The Almighty RSO was a hip hop group from Boston, Massachusetts. RSO stands for Rock Shit On or Real Strong Organization. Members included MC’s E-Devious (later known as Antonio Twice Thou) (Marco Antonio Ennis), Ray Dog (later known as Benzino) (Ray Scott), Tony Rhome, Orange Man and DJ Deff Jeff. Former member Rock was murdered in 1991. One of their first breakthroughs was winning the ICA B-Town Rap Battle in 1986. In 1988 they released the single, “We’re Notorious. History One of their first breakthroughs was winning the ICA B-Town Rap Battle in 1986. In 1988 they released the single, “We’re Notorious.” Current Boston hip hop favorite Akrobatik said “Initially I would think of RSO Crew who were from here and making any type of noise. Locally, if I turned on the radio, those would be the guys that I would know who they were and follow their songs. I’ve definitely been checking them out from the beginning.” In 1992 they released the EP Revenge of da Badd Boyz which created controversy with the single “One in the Chamba,” which was inspired by two killings of youths by Boston Police. The Boston Police Patrolman’s Association (BPPA) pressed charges against the group under a state law that prohibits inciting assaults against public figures. The Almighty RSO spent a short period being part of Queen Latifah’s Flavor Unit, appearing on the album “Rollin’ With The Flavor”. In 1996 they produced their first full length LP Doomsday: Forever RSO which included the singles “You Could Be My Boo” featuring Faith Evans, “The War’s On” featuring Mobb Deep and “You’ll Never Know. In 1998, Scott (now known as Benzino) and Ennis (now known as Twice Thou) formed the group Made Men with Cool Gsus and released an album entitled Classic Limited Edition.

akrobatik
Boston Old School

Akrobatik

Akrobatik History Akrobatik is a rapper from the Dorchester neighborhood of Boston, Massachusetts. He has collaborated numerous times with many fellow Boston rappers, and recently formed a hip hop collective named The Perceptionists with Mr. Lif and DJ Fakts One. In 1998, Akrobatik released his first single, Ruff Enough, on Boston’s Detonator Records label. His second single was released on the Independent New York label Rawkus, Internet MCs, and later released Say Yes Say Word. Akrobatik’s music has appeared on HBO’s The Wire, ESPN’s Playmakers and in films such as Date Movie and Wholetrail. He is also featured on Snacky Chan’s album Part of the Nation, as well as in the games NBA Live ’06, Frequency, Need for Speed Most Wanted and the Playstation 2 game, Amplitude, where he raps in the song, “Out the Box”, as well as providing voiceovers for tutorials. Akrobatik raps the daily sports news to Boston via the “Sports Wrap-Up”, broadcast on the Ramiro and Pebbles Morning Show, on Boston hip-hop radio station JAM’N 94.5. In December 2005, Akrobatik signed to Fat Beats Records. The Brooklyn-based label released his second full-length album, Absolute Value, on February 19, 2008. It received positive reviews from a various media outlets Album History The EP (2002) Detonator Records Vol.1 Compilation (C-Rayz Walz, Breez Evahflowin, Snacky Chan) (2002) Balance (2003) The Lost Adats (2003) Black Dialogue (2005) as The Perceptionists (with Mr Lif and DJ Fakts One) Essential Akrobatik, Vol. 1 (2007) Absolute Value (2008)

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